Study Diary 4

In the last week I have read many more critical reviews about Corinne’s work. I find it very interesting and useful, and from the other hand really confusing. It was interesting going back and read some old reviews about her work, when it was relevant for the time and to see how things have changed and it was useful because I was starting analysing myself without reading a direct reference to my conclusions about the subject. (One of he latests posts ‘diary: Corinne’s illness’)

For example, I went through the ‘dairy’ so many times and read different reviews and interpretations of it. After I have read other review about it, I started analysing myself with my own understanding, tools and information I have learned so far.

It is confusing because I am not sure I got it right, and there is a good chance I will be the only one to think that way…

It was really enjoyable to do it myself without feeling I took other’s words or ideas.

My problem is still the time limit, before sitting to write a post I read and research sometimes too many sources and long time, then I find it harder to put it on writing later on.

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Fashion photography in the 90s

Corinne Day’s name usually goes with ’90s fashion creator interpretations. In many web-based, books and journals sources Corinne was tagged as ‘the’ inventor of ‘grunge’ and ‘heroin chic’, the lady who brought back the punk and different complimenting names, as she was the first women of fashion in the ’90s.

I believe she had an important role in the fashion imagery in the ’90s, but I disagree with the fundamental ranks she had given by many.

In the few next posts I am going to analyze what brought Corinne to use that style? What influences did she has? What was special about her work in the ’90s? I will try to understand why she have received those names.

Until now my blog was Corinne Day surrounded, meaning, the subjects I have discussed and researched were only Corinne based. I positioned Corinne Day in the middle and brought up my questions as outcome of research that focused on her own world as an individual. I researched her life, friends, work and influences, though only in the narrow picture of Corinne.

My next subject of research will be the world she was part of. It will be broaden research of her as individual who is part of an era; culture, politics, etc. Now I will place Corinne within the timeline she worked and how it is effected her and/ or how she contributed to the wider picture, the era.

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“Stand there so I can’t see the doctors”

Head quote by Corinne Day from the article ‘day light’ by Diane Smyth (2008)

http://www.pdnonline.com/pdn/esearch/article_display.jsp?vnu_content_id=1003697189 >  [accessed 20 November 2010]

Corinne Day: Diary 3

Corinne’s illness


Corinne Day (45) passed away last August after a few years battle with brain cancer. Her first brain tumour was discovered on 1996, there she went in a brian surgery to remove the tumour. In 2008 the brain tumour returned, after fighting the disease for two years Corinne died.

In this post I will answer the two questions I raised about Corinne’s illness on the earlier posts.

  • How her illness affected her own work?
  • Was the fact she was ill derived her to capture those moments of her friends?

To the first question, I started answering on the last post (‘similarity in other photographers work’). One way her illness affected her work is in a sense of experience she had been through. In Corinne’s case it is the trauma of finding out that you are ill, being hospitalised and having surgery. All these experiences shaped her and formed into her work as photographer.

In the diary Corinne was photographed in hospitals in New York and London , before and after her surgery. Corinne asked from her boyfriend, Mark, to photograph her on those moments.

“I needed pictures because I was so scared. It took my mind off it.”

Quote by Corinne Day from the article ‘day light’ by Diane Smyth (2008)  < http://www.pdnonline.com/pdn/esearch/article_display.jsp?vnu_content_id=1003697189 >  [accessed 20 November 2010]

In an article by Michael Bracewell about the diary, Bracewell explains that diary is the moral self-portrait of its author, a mirror of the diarist and a manipulation of their reflection. He continues:

Scanned from ‘Creative Camera’ April-May 1998.

Images were scanned from Corinne Day Diary.

After looking through the diary again , I believe the diary is Corinne’s illness centred. Corinne started to take photographs which later turn into the diary, without an intention to do so. The Idea of the diary came later on. Most of the photos are of her friends, though combining that and the sentence she added on the back (can be found on the post Corinne Day: diary 1) of how your friends reflect the truth about yourself, I came to understand her illness is one of the main foundations of the diary idea and how it is presents to the viewers.   The diary divided in different chapters, (it does not appear as different chapters) between each ‘chapter’ there is a half white page between the different chapters. There is a chapter about Corinne’s illness with photographs from the hospital (the photographs in this post as well) taken by her and by her boyfriend. After counting,  this chapter is the middle chapter of the diary and when this chapter ends, there is one whole white page not like after every other regular chapter. The first photo of the next chapter is of her grandmother celebrating her 94th birthday, Corinne was really closed to her grandmother.

The diary is not set by canonical dates, places or other written or obvious signifiers, which can help the viewer to understand the whole picture. Corinne chose to put the illness chapter in the middle maybe as an experience that is not an outcome or handled by human hands as oppose to the other experiences in the diary such as partying, drug use, intimate relationships. Other reason can be the similarity of the whole society between different social worlds; in the diary Corinne emphasises the poverty life of young people, the ‘living on the edge’ style etc, way of life that is not often seeing by other from different social background. The chapter of the illness is in the middle as the similarity between the two worlds, if one look only at this chapter of the diary, it can never reveal or even link to the other chapters with the different life style. Maybe she was trying to show that when coming to deal with these delicate issues of life and death, most of us experiencing and acting the same.

The third photograph in this post is a photograph of Corinne’s family. The photographed is without exposure to light, the outcome is black characters that are not easy to identify. Corinne had problematic relationship with her family except for her grandmother, maybe this is the reason the picture is blurry. The photograph after this chapter is of her grandmother in her birthday. It is possible Corinne was trying to show hope by adding her 94 years old grandmother, that she still has  a long way in front of her. It is the only character from her family in the book.

The whole white page, which separate the two chapters, can be a sign for a new path after her illness.

Corinne started to take photos of her friends out of nostalgia (was discussed in previews blogs) before her illness. It is not certain if she took more photos after she knew she was ill, but it makes sense even more to do so after dealing in situation between life and death. For me it seems that the idea of the diary derived from her illness as a way to deal with the trauma she has been through.

 

References:

 


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Study diary 3

I definitely feel that I got the grasp of how the research suppose to be like and where to find and evaluate my sources. I got exposed to a never-ending academic material resources more than a month ago, and I can say now that I have found the way to manage my selections right and not be overwhelmed as I was at the beginning. If at the beginning I have worked with two books that I found of Corinne Day, today I am working with about six or seven books excluding the journals and online articles.

Writing one blog entry take me a great amount of time. I am searching for different academic sources and checking carefully the information I receive can be found in other places, to make sure it is right. I stopped a while ago using the regular sources from the web, I found most of it unofficial, too many bloggers and unknown writers. When I am starting to read an article, I always search the writer background first, to make sure I can trust and use his or hers work. This process takes a long time, but I feel confident publishing the post.

The lecture about analytical writing helped me to make the source evaluation easier, and I am trying to improve the blog writing and the terms I use according to what I have learned.

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“the camera becomes a part of your life”

similarity in other photographers work

Head quote by Corinne Day < http://www.guardian.co.uk/artanddesign/2010/aug/31/corinne-day-obituary > [ [accessed 7 November 2010]

While researching the Dairy, I came across other photographer name several times. The photographer is Nan Goldin. The reason her name appears in relation to Corinne Day diary many times is because Nan Goldin published a photographic diary as well. In her diary she documented herself and her friends in different moments including intimate photographs, which compel together her daily life.

In this post I will compare their work (in relation to their dairy), and I will try to discover what brought both of them to publish such an intimate work?

This post will answer both of my questions from the earlier posts:

  • What brought Corinne to collect and publish such an exposure book? What was the purpose of the book?
  • Is their similarity in other photographers work to document their lives? And if so was she inspired by others?


Nan Goldin


Nan Goldin Self-portrait with eyes turned inward, Boston, 1989; Photo was taken from < http://www.boerner.net/jboerner/?p=3456 > [accessed 7 November 2010]

Before comparing between Corinne Day and Nan Goldin, here is some background of Nan Goldin, to get a wider view about her life and work.

screen shot was taken from < http://www.kettererkunst.com/bio/NanGoldin-1953.shtml > [accessed 7 November 2010]

Corinne and Nan shared much of the same experiences in life. In their background there is …   in the life style and work style as well.

From their early lives they have walked through similar patterns. Corinne wasn’t raised by her parents, in different sources she criticised them and the way they have decided to live their lives, “my dad was a professional bank robber”( from ‘imperfect beauty’ ). Nan ran away from home and went to live in a commune with strangers that later become her closets friends. Corinne and Nan both did not finish school, Corinne left school at the age of 16 while Nan was expelled when she was 14. They are self-thought photographers. Their experience in photography started with help and encouragement of a friend.

The dominant figures in their lives, as it is shown in their work and other primary written resources of them, are their friends. Their friends play a role of family in their lives from young age. They documented their friend a large part of their careers. In Corinne’s case the most coherent work of friends documentation is ‘the diary’, in Nan’s work is the slide show exhibition, which later became a book “the ballad of sexual dependency”.

“The Ballad of Sexual Dependency”- is a multimedia installation with 700 slides and a programmed soundtrack. 

screen shot was taken from < http://www.artinfo.com/galleryguide/19790/6331/72685/museum-of-modern-art-new-york/artist/nan-goldin/biography/ > [accessed 7 November 2010]

Nan and Corinne came from poverty life, drug use as a way of life of their surroundings and themselves and dealing with severe illness and death. In Nan’s life most of her closest friends were HIV positive and later on died from it. Most of her friends that she documented in her work “the ballad of sexual dependency” had died from the disease. On Corinne’s side it was her own illness she had to deal and live with.

In the article by Sheryl Garratt for the Observer (2002), she is suggesting that maybe by going through similar experiences in life you get to use the same forms of expression such as the diary.  In my believe it is true, they are two photographers although from different niche (Corinne from fashion photography and Nan from art photography), going through close experiences in life. The experiences one is having shape his identity, and for artistic person like photographer it become an influence and other side of the his identity that can be expressed in his work.

The photography to them was a way of therapy, of living the life without missing out any of it. They lived life that wasn’t the mainstream, the tomorrow was not an obvious like it would seem to others, it is part of the risks when you are choosing to live on the edge. Photographing their day-to-day lives gave them a sense of what is happening now in their lives. For Corinne it started by her love to nostalgia and the regrets that long period of her life was unphotographed, just parts of it in her memory, while for Nan the photography started by dealing with memories loss, of her sister who died.

After knowing why they photographed these intimate moments of their lives, the questions still remains why publicise it?

Nan’s work ‘The Ballad of Sexual Dependency’ was her first appearance to the art world. She entered this new world with a new saying about art photography through her own world, which deals with sexual identity, violence and drug use; things that back then in 1986 the art scene did not cope with often. She wanted to bring up the awareness of the subjects most people decided to avoid talking about. Moreover at the beginning of the 80s Nan started political activism on behalf of the gay movement, she saw her work influencing and helping her sending the message.

As for Corinne, the ‘diary’ was released on 2000, it was long after the ‘grunge’ look in fashion was out. It wasn’t an attempt to bring something new to the fashion or art world, it seems like it was a closer to that period in her life. Her photographic style has changed from the 90s and the 2000, It was a remark, a romanticism of the era that have passed.

To answer the question if Corinne was inspired by other photographers such as Nan Goldin, I added the following quotation from Corinne’s essay from the book ‘Imperfect beauty’ (p.85 C. Cotton)

A few questions I have for further research after writing this post-

Q: What other inspirations Corinne has had?

Q: Was Corinne only a fashion photographer?

References:



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“When a relationship forms between the subject and the photographer, a natural interaction takes place, making the images more intimate”

Head quote by Corinne Day from ‘Face of fashion.’ (Bright, 2007, p.75)

Corinne Day : Diary 2

Georgina in the dairy

  • Who is Georgina?
  • What is there in Brixton?
  • Where is she?
  • Is the photographer and the women in the photo are related?

Those four questions were part of my first initial questions.  After looking in the dairy for several times, I noticed the name Georgina more than once in Corinne’s photos. After browsing the web, to find the last name of ‘Georgina’, I came across the model Georgina Cooper, the same figure from Corrine’s book the ‘diary’, one of my web sources was the official Corrine Day website. In her website there are few of her exhibitions, Corrine photographed Georgina for the exhibition “Face of Fashion”. Under Georgina photos, she wrote her full name.  I have continued referencing from other sources and found the book ‘Face of Fashion’ by  Susan Bright. In this Corrine Day’s images and text about them. Corrine mentioned the model Georgina Cooper in relation to the photographs, and the closest relationship they had. Their relationship led to intimate photos in which Georgina is being revealed as a person and not just as a model.

The model Georgina Cooper

< http://www.fashionmodeldirectory.com/models/georgina_cooper/ > [accessed 21 October 2010]

Corinne Day was known for being a good friend with her models, (quote for that) which means that there is a good possibility Corinne and Georgina Cooper had close relationship, moreover, Corinne collected in her diary, photos of her friends.

“Her aspiration was to document the lives of the people she knew best, and her “Diary,” published in 2000, told visual stories.”

< http://www.nytimes.com/2010/09/02/world/europe/02day.html > [accessed 21 October 2010]

Georgina documented in the dairy several times.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(Photos were scanned from Corinne Day: diary. Reference at the end.)

More photographs Georgina of Cooper can be found in Corinne Day’s website, under the exhibition “Face of Fashion”.                                      http://www.corinneday.co.uk/exhibitions.php?action=view_exhibition&id=1 > [ accessed 21 October 2010]

 

Brixton, mention in the diary often.  As I mentioned in the previous post, Corinne named the places the photos were taken in. Tara, Corinne’s friend, was photographed at home, in Brixton.

(Photo was scanned from Corinne Day: diary. Reference at the end.)

 

In other photo from the diary, Georgina was photographed at Tara’s house.

(Photo was scanned from Corinne Day: diary. Reference at the end.)

In the photo Georgina lying on the ground, her head is on a pillow. She is under a drug use. The photo was titled “Georgina stoned at Tara, 1995”.   After observing this photo for a while and comparing it to the photo I am researching “Georgina, Brixton, 1995″, I understood  more about the photo of my research; If we take a close look at the room she is at, it is obviously the same room the photo “Georgina, Brixton, 1995″ was taken at. The background is exactly the same, the same carpet, walls, the small faucet by the stone on the floor (at the right side of the photo).

The photograph ‘Georgina, Brixton. 1995′ was taken at Tara’s, Corrine’s friend, house which located in Brixton. Georgina, is the British model Georgina Cooper, who were close friend with Corrine Day.

Q: Did Corinne compose her natural photographs?

References:

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Study Diary 2

I am carrying the book Corinne Day Diary for two weeks with me now. It was hard for me to understand what is the best way for me to use it. I feel I am less researching under the surface but making the obvious heard loudly. I feel there is a place to write in my blog about the obvious analyzes as well, by writing that and giving background I will delve into other aspects of the research.

This week we had a group work together. We had to sync our recourses and help each other and ourselves to find out about more information and other directions of investigating we did not try before. I think the group exercise is necessary when working on the same subject of researching, unfortunately I did not get any new directions about my subject. I knew most of the recourses before and most of them were Internet based. I hoped to get other written resource, which is not online. From the other hand I was happy to share my information and more important my ways of getting to the subject. It helped me to hear how the other students researching and working, I feel that now I know better if I am on the right way.

This week I went to visit the V&A museum. I was eager to find new directions for my research. In my mind I was thinking the place the original photo is in would help me discover new interests for me to research. The first direction I was thinking about while entering the photography room was Corinne Day’s relationships with other photographers, maybe photographer she was influenced by, similarity in other photographers work. It will be my new direction of investigating.

 

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